It’s still there, looming over everything around but what, asks our voluminous artwork correspondent Angus Young, is next for Alan Boyson’s masterwork?

You might have noticed a bit of recent activity at the longest-running building site in Hull city centre. Final preparation work is now underway ahead of the demolition of the derelict former BHS and Co-op department stores. Once they have gone, the iconic Three Ships mosaic will be left in splendid if temporary isolation until the new mixed-use Albion Square development takes shape behind it.
The responsibility for delivering Albion Square was recently handed to Capital & Centric after the city council named the Manchester-based property and investment company as the project’s lead developer partner. A new planning application is expected to map out fresh design details for what is intended to be a mix of leisure, retail and residential space alongside the Three Ships. Hull’s biggest public artwork was saved from being bulldozed when a dedicated group of campaigners managed to convince the government to award it Grade II listed building status in 2019.
It was originally created in 1963 by the ceramic artist Alan Boyson as part of a major commission by the Hull and East Co-operative Society for its new flagship department store. It features almost one million pieces of coloured glass fixed onto a curved concrete screen depicting three stylised Hull trawlers.

As it happens, one of the main figures behind the campaign – Esther Johnson – is also responsible for a new exhibition celebrating Boyson’s life and work which opened recently. Titled ‘The Marvel From Marple’, it features material from their Ships In the Sky collection about the giant Hull mosaic, new multi-screen film exploring Boyson’s work and printed tiles, photographs and small Boyson ceramics from private collections.
The exhibition also includes the original architectural plans for the Merseyway car park in Boyson’s home town of Stockport. Esther said: “Growing up in Hull, gazing up at the scale and beauty of Alan Boyson’s Three Ships played a formative role in shaping my enthusiasm for mid-century design and my decision to study art. When I began researching Boyson’s work in 2017, I was particularly struck by the monumental concrete screens of Merseyway and his sophisticated use of modular abstraction and repetition.
“Both Three Ships and the Merseyway screens are deeply woven into the fabric of their respective civic centres, being symbols of geographical and historical local identity that embody the co-operative principle of uniting communities through art. I am delighted that this is the first exhibition to survey Boyson’s work and I hope it inspires a renewed and lasting appreciation of his remarkable talent.”
If you’re a Hull-based Boyson fan, the exhibition is a bit of a journey away as it’s being staged at the Stockroom venue in Stockport, Lancashire. It runs until September 30.
However, closer to home, the Three Ships is still going to be around to admire for decades to come while two other original Boyson works from the original Co-op commission have also been saved. A sponge-print tile mural previously installed in the fourth-floor Skyline Ballroom is now a feature in the new NHS Community Diagnostic Centre in Albion Street after being restored by a team of specialists. A third commission – a 22ft long shoal of 16 fish swimming through a sea of kelp made from stone and marble – has also been rescued and conserved for eventual display in the new development.
Angus Young












